Susan Anderson's Illusion of Womanhood
March 8th, 2012

Susan Anderson, an internationally known photographer and expert on the High Glitz culture of child pageantry, recently gave us her take on the industry at our Iris Nights Lecture.
Although she abstained from giving any formal opinion on the controversial subject of beauty contests, she did claim that this is not a new issue we are dealing with. Anderson put on the screen a classical painting of Aphrodite and the golden apple and posed the question, "could this have been the first beauty pageant?"

Her question was meant to explain that society has always idealized women and we have always been fascinated with the fairy tale ending. The fake eyelashes, the artificial tans, the thousand dollar hair dos, and the sparkly dresses all play into a preexisting culture that we are all partially responsible for creating.

Anderson admits that the most popular responses to her work are either to moralize or to laugh. But she offers a different response: to just present. She suggests that the little girls collaborate with her, that they have fun with it and it is their way to act, play a role and take a reality and make it their own.

She offers and interesting perspective because from where she stands it is simply art, it is fascinating and it is visually stunning.

To see more of Susan Anderson's work click here

While BEAUTY CULTURE continues to break attendance records here at the Annenberg Space for Photography, we thought now would be a good time as any to publish a post on one of featured photographers, Lauren Greenfield and the documentary film, also titled BEAUTY CULTURE, that accompanies the show. The 30-minute film was directed by the award-winning photographer herself.






It was clear, even before a smile broke free from them both, that the fearless mother, wife and fighter Laila Ali had no need for any guard or security.









More than half of the elephants in the world have been massacred over the last 30 years. Cyril Christo and Marie Wilkinson want to do as much as they can to help reverse this alarming trend through the advocacy work and their photography. They explained in last night's lecture exactly how important these creatures have been to the planet and its people.








That night Mark Laita spoke about his new photobook, Created Equal, a collection of black and white photo diptychs contrasting the portraits of everyday Americans by putting, for example, a picture of Baptist minister next to members of the Ku Klux Klan or nuns next to prostitutes. The inspiration for the project is incredible: Laita left behind his polished life in the advertising world to find the real America he grew up with, the one he wanted to make sure the world would never forget.





































