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Lauren MarsolierTransition to a Digital World
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Josef AstorOn Assignment: Agenda vs Serendipity
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Angela Bacon-Kidwell“Why am I here and where am I going?” An exploration of self-awareness,...
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Doug RickardA New American Picture
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Nadine BoughtonAdventures in Digital Collage
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Julie BlackmonThe Power of Now and Other Tales From Home
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Richard EhrlichAnsel Adams Would Have Loved Photoshop
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Connie ImbodenReflections
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Todd BaxterAnatomy of Process in the Digital Age
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Douglas PrinceEvolving Vision: The Testimony of A Living Photo Fossil
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Andrea GalluzzoBeyond The Photograph
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Stanley SmithArt and Artifice: Constructing Photographs
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Ted Grudowski, Mike Pucher, Christopher SchnebergerThree Views on 3D
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Jodi CobbInside Closed Worlds
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Claudia KuninGhosts, Memories and Mirrors
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Michael B. Platt with Carol A. BeaneTransitions
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Joel GrimesThe Creative Revolution
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Greg Downing and Eric HansonPost-Digital: Expanding the Boundaries of Photography
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Brooke ShadenShocking Your Mind in the Digital Age
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Jean-François RauzierHyperphotography

Photographer Claudia Kunin launched her career in 1976 when she was first published in Rolling Stone magazine. She pursued commercial photography for the next 30 years with intermittent shows of her fine art, which is now her primary artistic pursuit. Her bodies of work includeRevenant, 3D Ghost Stories, 3D Holy Ghost Stories and 3D Family Ghost Stories. She has shown her work all over the world including New York City, Tokyo, Paris and Los Angeles.
Her work has been featured in numerous publications includingEyemazing, Camera Work, Focus and most recently in B&W + Colormagazines. She was the recipient of two awards in the 2010 Prix de la Photographie Paris for her fine art. Kunin's work is in the permanent collections of the Smithsonian, the J. Paul Getty Research Institute and the Museum of Photographic Arts. Her archive will be housed in the Smithsonian Institute of American History's photography collection.
In her lecture, Kunin will discuss addressing visual concepts of ghosts and memory. She will also present images from her four bodies of work, as well as some of her recent animations work.




















