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Lauren MarsolierTransition to a Digital World
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Josef AstorOn Assignment: Agenda vs Serendipity
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Angela Bacon-Kidwell“Why am I here and where am I going?” An exploration of self-awareness,...
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Doug RickardA New American Picture
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Nadine BoughtonAdventures in Digital Collage
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Julie BlackmonThe Power of Now and Other Tales From Home
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Richard EhrlichAnsel Adams Would Have Loved Photoshop
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Connie ImbodenReflections
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Todd BaxterAnatomy of Process in the Digital Age
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Douglas PrinceEvolving Vision: The Testimony of A Living Photo Fossil
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Andrea GalluzzoBeyond The Photograph
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Stanley SmithArt and Artifice: Constructing Photographs
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Ted Grudowski, Mike Pucher, Christopher SchnebergerThree Views on 3D
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Jodi CobbInside Closed Worlds
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Claudia KuninGhosts, Memories and Mirrors
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Michael B. Platt with Carol A. BeaneTransitions
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Joel GrimesThe Creative Revolution
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Greg Downing and Eric HansonPost-Digital: Expanding the Boundaries of Photography
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Brooke ShadenShocking Your Mind in the Digital Age
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Jean-François RauzierHyperphotography

Jean-François Rauzier has been interested in photography since he was a child. In 1976, he attended the École nationale supérieure Louis-Lumière in France.
As a former advertising photographer, and one of the first users of numerical assembly in photography, he created the concept of “hyperphoto,” a term that essentially means putting together many high resolution images into a collage. Rauzier composes virtual and monumental images by assembling up to thousands of high-definition close-ups, creating gigantic works with extreme precision.
Rauzier says this about his work: "I'm a photographer but also a digital painter." Rauzier's collages are incredibly detailed recreations of reality, giving rise to fabulous fantasies in which viewers can zoom and navigate around.
Rauzier's work has been shown all over the world including cities such as Paris, Los Angeles, New York, Seoul, Istanbul and London. He has won numerous awards including Arcimboldo and Eurazeo.




















